Monday, August 25, 2014

Children’s Author Supports TACT!








If everyone in the class had been asked by their teacher to vote on who else in the class they thought would turn out to be a truly extraordinary human being, Joe would probably not have received any votes. 

But Joe- and his best friend Amber- are both about to be drawn into a series of incredible events and discover hidden truths not only about themselves but about the world itself. Their lives will never be the same again...


PURCHASE

    



Five reasons to grab your copy of Summer's Dark Waters-


1. All royalties from sales are going to T.A.C.T - children's adoption and fostering charity.

2. Illustrated inside and out by Ankolie Noire

3. Just $3.42 on Amazon US / £2.05 Amazon UK

4. Two extra print-quality illustrations of the characters-yours FREE


5. Signed paperbacks also available




Here's a snippet from the first chapter.


The afternoon wore on, tedious in the way that only summer afternoons spent inside can be. The hands of the clock on the wall appeared (to the eyes of the hot and tired students who kept staring at it) to be moving far too slowly, as if like them it was starting to wilt a little in the summer heat.

Joe finished his work and turned it over to stop anyone nearby from copying his answers. Nathan sat nearest to him, and he usually tried to look at Joe’s work whenever he got a chance, but today he was actually trying to figure out the answers himself for a change.

Joe frowned and looked around suddenly. The oddest sensation had come to him- something he could not even hope to describe.

It’s like there’s suddenly an extra person in the classroom, he thought, and he found himself looking around at everyone and counting heads, certain that there was a new student who had suddenly wandered into the room- although that was impossible, because he and everyone else would have seen him or her. In fact their teacher, Miss Wells, would have introduced the new student at the beginning of the lesson.

And there can’t be anyone new anyway, he reminded himself. It’s almost the end of the summer term. No one joins school with just a week to go.

But he couldn’t stop himself looking around, scanning everyone and silently counting them. A few saw him and stared back. Daniel made a rude hand signal and glared at him. Gemma stuck out her tongue. Caitlin just smiled and gave him a little wave before going back to her work.

“Have you finished your work, Joe?” Miss Wells asked, staring at him over the top of her glasses.

“Yes miss,” he said politely.

“Then could you please stop looking around at everyone else and read a book until the end of class?”

Joe took a book out of his bag and opened it at the bookmark. He began reading, but he had only got as far as halfway down the page when another strange feeling came to him. It was as if he was being watched intently by one of the other students.

No, he thought suddenly, closing the book slowly. His heart pounded and his stomach felt as if it had turned over. No, it’s not one of the other students. It’s the missing one. It’s the one I can’t see.

He knew that what he was thinking didn’t make any sense. It sounded completely mad. But that didn’t stop him being certain that there was someone in the class apart from all the people who he could see.

His eyes were drawn to a desk not far from the window where the sun poured in. There was no one sitting there, and he tried to remember who normally sat at that desk. Did anyone sit there?

Time seemed to slow down as he stared at the desk, at the sunlight slanting in across the classroom, at the tiny specks of dust that shone in the still warm air. He could dimly hear the tired ticking of the classroom clock on the wall. It’s slower than usual, he thought. It’s slowing down...

About the Author

Simon always wanted to be a writer, and didn't ever feel like doing much else, a fact which in time became quite clear through his school reports. As soon as he picked up his first writing pen, his parents breathed a heartfelt sigh of relief (yes, I know. Two people but just one sigh. Go figure...). "At least he's given up scribbling on the wall with crayons" they declared. That wasn't strictly true, but moving on...
He spent much of his childhood writing. Major influences during these years included such luminaries as C S Lewis, Susan Cooper, and the incomparable Alan Garner, whose masterpieces of Celtic fantasy had a profound effect.
Nevertheless, Simon was still obsessed with sci-fi at this point, and wrote his first novel at the age of thirteen. It was monumentally, breathtakingly bad. Within a couple of years he had embarked on a (very) traditional fantasy trilogy which still occasionally provides a degree of mirth.
During the 90s he wrote a number of experimental novels, and an entire scribblefest of short stories. Most of these defied genre definitions. Some also defied belief. Nonetheless, a number of them were published in various small-circulation magazines.
Inspired by the fact that several thousand people were actually reading (even enjoying) his stories, the intrepid Mr Williams promptly stopped writing them. He turned again to writing fantasy.
A combination of steadily advancing age and rapidly advancing laziness meant that it took a long time to really get going with the Aona books. But at long last, creativity is flowing ("creative juices" sounds a tad biological somehow), the first three books are published and he's positively jogging along with the fourth. It's a truffle shuffle with real intent. All of which proves it's better to be neither the hare nor the tortoise.
FOLLOW THE AUTHOR
            



Wednesday, August 20, 2014

Author Service Provider Interview with JARED RACKLER


Okay, so I know this is a bit unorthodox considering I am working with Bridgette Bandell over at Bookworm Productions who IS a cover artist. However, a lot of people seem to think that being an indie author has to be a cut throat knife fight...  Well, here goes to show you that although we author service providers PREFER to get the business for ourselves... Bridgette did an interview with Jared Rackler... and we are going to share it with you to show you that we aren't all out to stab each other in the back...   Before we get to the interview... a short bio from his blog:


Jared Rackler,  a Texas Native, haunts the lonely prairies. Roaming from town to town, he exorcises ghosts and banishes nasty spirits for the right price. In his downtime however, he offers quality cover art at reasonable prices. He has worked on all genres including romance (gay, lesbian and straight), horror, urban fantasy, and political thrillers.
In addition to regular cover art work, he is well versed in designing ads to spread the word of your great story across the Web.

And Now that we have learned a little 
about the man behind the company... 
Let's get to that interview!!

What are your favorite elements of art and design to use when designing pieces?

Light and shadow. I love using highlights and shadows to create depth and to draw the viewer’s eye where I want it to go while hiding what I don't want shown. I also love the way color can impact a viewer on visceral level.

When you use lines, do you create them to create certain textures and what textures do you use most often?

The medium I work in isn't hand drawn so I don't use lines very often. When I do use them, it's mostly for augmenting human hair.

What made you decide to become a digital artist?
I've had writers in my life for years. I even fancied myself one. I started out creating cover mock ups for those writers to send to their publishers as inspiration and the next logical step was then to do it myself.

Do you use the emphasis in your art to draw the attention to the work as a whole, or to get the viewer to mentally feel certain ways and see only the certain focal points you intend?

I try to make convey the tone of the piece to the viewer through things like color choice, heavy shading, serif v sans serif font etc. The focus usually tends to be the model because humans prefer to look at other humans.

What is your favorite piece that you have done so far? What makes it your favorite, or most fun when you did it?

My favorite piece has to be The Final Line cover I did for MLR. The design is simple. The color scheme plays well of itself. The whole thing has this polished look that I adore while still conveying the complex plot of the novel.

Do your common themes vary depending on the author, or the feel of the work as you're working it?
There tends to be a unifying theme of romance, but some are moodier than others. I've even created horror pieces, thriller pieces and comedy pieces.

Do you create designs yourself to add to your covers, or do you mainly do image layering?
Image layering is my bread and butter but if it doesn't exist, then it falls to me to create it. The hair in the Sebastian's Thorne cover was all me, for instance.

How do you use negative space to your advantage when trying to convey the author's desire in the design?
A creative use of negative space can make or break a cover. Some artists tend to cram every visually relevant element to the story on a cover, crowding the image and making a mess of their work. Negative can be used to draw the viewer's gaze where you want it or to suggest a concept like longing, loneliness. I did a redesign for The Song of Orpheus by Selena Kitt. This cover did not use negative space creatively and suffered from the jumbled mishmash.

Now for the awesome proud artist moment ^_^ 
(give me your favorite three pieces
and tell me why you did the feel and design for each)

Too Close to the Sun was my first foray into Sci-Fi. This cover was so much fun to work on. The solar color scheme speaks for itself and the novel features a galactic smuggler with a big gun.
The Final Line was the last book in the Recon Diaries, so the elements had to be cohesive with the first two, but this novel featured a hero suffering from PTSD. Instead of a desert background, I used a firefight to represent the chaos inside his mind.
Moral Authority is a dystopian look at the future. The design is based on Russian propaganda posters. The shapes of this cover and the graphic nature are a departure from my usual projects.

If you could have three sentences to tell an author how you'd help them create their book cover to be their dream cover, what would you say to them?
"We all judge books by their covers.
Professional and dependable with a large knowledge of cover design,
I'll give your book the face it deserves so it can stand out on the shelves."


And.... 
there you have it ladies and gentleman!! 
     If you are an author needing a book cover feel free to drop Jared a line on his Facebook Page or Blog... LINKS BELOW! Also, a HUGE thank you to Jared Rackler for spending his precious time with me to do this interview!